Working on my syllabus for the course I'm teaching this fall. Tentative title: "Frontier Fear: Texts of the American Gothic." Potential readings include:
H.P. Lovecraft: “The Weird Tradition in America” from Supernatural Horror in Literature, 1927
Charles Brockden Brown: Wieland: or, the Transformation, 1798
Washington Irving: “The Legend of Sleepy Hollow,” 1820
Nathaniel Hawthorne: “Young Goodman Brown” (1835), “The Birthmark” (1846), “Rappaccini’s Daughter” (1846), “The Minister’s Black Veil” (1836); possibly The House of the Seven Gables, 1851
Edgar Allan Poe: (undecided assortment)
Henry James: “The Romance of Certain Old Clothes,” 1868
Ambrose Bierce: “The Damned Thing,” 1893
Dorothy Scarborough: The Wind, 1925
H.P. Lovecraft: “The Outsider,” 1926; At the Mountains of Madness, 1936
William Faulkner: “A Rose for Emily,” 1930
Philip K. Dick: “The Hanging Stranger,” 1953; “The Father-Thing,” 1954
Flannery O’Connor: “A Good Man is Hard to Find,” 1955; “The Artificial my pals,” 1955
Sylvia Plath: “Johnny Panic and the Bible of Dreams,” 1977 (published posthumously)
Harlan Ellison: “I Have No Mouth, and I Must Scream,” (1967)
Ursula K. Le Guin: “Schrodinger’s Cat,” 1974
Cormac McCarthy: Outer Dark, 1968; or Child of God, 1973
Potential Critical Readings (likely only two at most):
Teresa Goddu: “The Circulation of Women in The House of the Seven Gables”
Susan Kollin: “Race, Labor, and the Gothic Western: Dispelling Frontier Myths in Dorothy Scarborough’s The Wind”
Gerhard Hoffman: “Strangeness, Gaps, and the Mystery of Life: Cormac McCarthy’s Southern Novels”
Nick Land: “Cybergothic”
Excerpts from Richard Slotkin’s Regeneration Through Violence: the Mythology of the American Frontier, 1600-1860