What the fuck is Krofius doing?
Still strugglin' to write a convincing post about how it's all good.
What the fuck is Krofius doing?
In Plain View - I quite like the intro. Verse starts, Anders comes in and gays everything up. Quite like the guitars in the background, Rusted Nail-esque chrous. Cool little guitar breakdown around the 2:15 mark. It then slows down and loses momentum. Ends with the chorus. Not a terrible song. 6/10.
Everything's Gone - Not a bad start, then they rip off the Black & White intro riff and the verse kills momentum again. The vocals really don't work here. The fast guitar breakdowns will go down well live. One of the better choruses on the album but the verses really derail the track. Typical modern-IF wanky solo. 5/10.
Paralyzed - Guitar work at the start is a bit lazy, distinctly mid-tempo. Vocals in this one actually aren't that bad, but Anders has a really bizarre rhythm which doesn't really fit in with the instruments. The song structure has so far been very similar in the first three songs. The solo always seem to appear in the same place. 5/10.
Through Oblivion - Different, but not in a good way. Lazy with bad vocals. 3/10.
With Eyes Wide Open - Opening sounds like the start of an ASOP song (not necessarily bad, but a weak sounding guitar tone). Looks like the same song structure again. I don't mind the vocals in this so much, it's got a STYE vibe about it in some parts. Another song that would be quite good live if Anders could sing. 6/10.
Siren Charms - Total dud. Vocals don't fit in at all and the lyrics are ASOP level lame. "the whole world can just go to hell, this life is killing me" ... a nothing song in every respect. 3/10.
When The World Explodes - Weird song. Anders screaming sounds really metalcore-ish here, which isn't a compliment. The guitars are really lazy again, a lot of riffs in this album seem to be recycled. It's like this song was recorded in 3/4 different sessions and then spliced together without any thought given to song structure or coherence. Very unusual, with a little more effort this could have been decent. 5/10.
Rusted Nail - Modern In Flames at its best/worst. 4/10.
Dead Eyes - An opening straight out of STYE. The chorus is shamefully poppy, almost embarrassing. As a whole, this is too slow to be interesting. 4/10.
Monsters in the Ballroom - Standard poppy modern-IF song. 4/10.
Filtered Truth - I don't really get the love a lot of people have for this one. It's a tad faster than other songs on the album, but really, it's got the same poor vocals, the same recycled riffs and the same boring structure. There's nothing especially new here. Distinctly average. 5/10.
This album lacks two things on the instrumental side - speed and energy. It's a very slow album with only a few bright spots. There is a painful lack of inspiration here which renders a lot of the songs quite boring and predictable. You wouldn't know the band has two guitarists - they don't use the extra guitar at all, this could have easily been recorded with just Bjorn on guitar, and they could play all of these songs live with one guitar. The rest of the instruments are just kind of there... nothing outstanding about the bass (as always) or the drums. There's some groove in certain sections of the album, but I can't get over how slow and plodding it is. Bjorn could have played most of this in his sleep.
Anyone who isn't a fan of Anders clean vocals will hate this album. It's almost all cleans and whilst Anders sounds better than he did on ASOP, rhythmically he simply doesn't have a clue. Few of the vocals seem to match the instruments, some of it is painful to listen to.
This is probably the first In Flames album which, to me, doesn't sound like In Flames anymore. It's just a generic pop-rock nothingness. The album has no substance, no ingenuity and no heart. Everything unique about In Flames has been stripped away and replaced with mediocrity. This is the album we feared they'd make one day, and it really shouldn't be under the In Flames banner. It's an Anders side-project, and there's nothing here that gives me the In Flames vibe. It's a pretty depressing listen.
Svářeč;10897173 said:Actually, I like almost every song from SoaPF, except for Darker Times and Enter Tragedy, these two just don't work for me, can't really explain why. But title track, New Dawn - amazing riffs. All for me, Where the dead ships dwell - their choruses rock as fuck! Liberation is cool pop-rock-ish song and it works fine! Puzzle represents the same as Everything's gone on SC, but it's much more catchy and that outro is amazing.
SC is exactly the opposite. I dislike every song from it except for two!
This is it! A week from now "Siren Charms" is released (US - September 9th) and it's time to let the world know! What started with Lunar Strain 20 years ago has now led all the way to Siren Charms, an album that represent what In Flames are today and what truly is the Black Ash Inheritance of the Gothenburg Sound. In Fans We Trust / IN FLAMES
Siren Charms, out September 9, sees the Swedish metal juggernaut build its boldest, ballsiest, and most brilliant musical statement to date. Their best work since Colony, Siren Charms resounds with the revolutionary melodic thrash of Whoracle as well as the experimental ethers of Reroute to Remain. In other words, it’s an epic every metal fan should partake in. That’s just our First Reaction to this masterwork.
Your average rating is like 5/10 in total, how come the album is a 1/10 or a 2/10 in the ''Rate every album thread''?
Siren Charms, out September 9, sees the Swedish metal juggernaut build its boldest, ballsiest, and most brilliant musical statement to date. Their best work since Colony, Siren Charms resounds with the revolutionary melodic thrash of Whoracle as well as the experimental ethers of Reroute to Remain. In other words, it’s an epic every metal fan should partake in. That’s just our First Reaction to this masterwork.
Totally agree. Obviously the guy was not high when he wrote those lines.
You can't really take many reviewers seriously. A negative review means they don't get any more pre-release material, especially from labels as big as Sony. Your own ears will tell you exactly what you need to know.
They don't seem to have put much effort into this at all - or if they have it's the very minimum.
Even the first In Flames keyboard solo I've ever heard.