Elend – Melpomene
a typically mesmerising tune from what i’ve long considered the most intense, vivid and spinetinglingly beautiful album ever recorded. the fluidity of these winding compositions is aeons beyond all of their other (still mostly great) work, and creates the kind of hallucinatory imagery that renders drugs obsolete. it isn’t the best song on there - perhaps lacking a true climactic moment to bring me to eargasm - and it fits better in the context of the album which is a thoroughly holistic work, but let’s face it some of you cunts wouldn’t know great music if it got lodged between your labia. the one criticism i’ll accept is the production values – while it mostly works fine to me, i’d still love to hear it re-recorded one day. 10/10
The Sisters of Mercy - Marian
this kinda straddles the line between understated and affected, hypnotic and monotonous, but it just about works. there doesn’t seem to be much that’s distinctive about its atmosphere though. 6/10
Led Zeppelin – The Ocean
again this is a perfectly acceptable example of a style i don’t particularly care for – too light-hearted and funky, not dreamy enough to appeal regardless (unlike, say, captain beyond). 6/10
Clutch – Sea of Destruction
too stoned out for my tastes, but it’s solid sabbath worship with terrific production. 6.5/10
Chelsea Wolfe – Mer
decent portishead imitation (circa THIRD), no more and no less. i appreciate the dense instrumentation going on here, always something new going on without sacrificing tone. if someone picks her again in the near future i’m gonna start getting antsy tho 7/10
Bedrich Smetana – Die Moldau
sounds a little straightforward and populist to me; i imagine i’d be less enamoured if i was a classical nerd. since i’m not, yeah it’s pretty sweet, even if i’ve heard excerpts like a hundred times. problem is it’s apparently not thematic – i’d be willing to forgive that if it sounded ‘oceanic’ enough but, uh, it sounds like a river. hoping it doesn’t win for this reason, but i can’t bring myself to rate it really low. 5/10
Pallas – Atlantis
this is such unapologetic starry-eyed prog epic that it’s super endearing, and so dated (despite being neo-) as to be quite otherworldly. also totally stupid of course, but i really like it in the same way i like old bargain-bin sci-fi novels. what’s wrong with the vocals? 7.5/10
Split Enz – Shark Attack
nice, i’ve been itching for something more up-tempo. nothing too special but quirky with lots of attitude. 7.5/10
Nest – Across the Waters
i’ve been a fan of WOODSMOKE ever since it came out – there’s nothing particularly intelligent about its compositions, but they have an atmospheric niche and nail it really well, hits the spot sometimes. i haven’t heard this one but it sounds in a fairly similar vein, maybe less sparse and more drawn out and less kantele-driven, none of which is a good thing to me. the synths are kind of hurting my ears as well atm. 5/10
Townes Van Zandt – Silver Ships of Andilar
very nice. not much to add to everyone else's glowing reviews, 'cept i'm maybe not as a head over heels for this stuff as some of you. i bet he has some songs i'll really love though. 8/10
Paul Robeson – Sea Fever
i’d only heard ‘ol’ man river’ before and loved it. this is similarly searing. takes an amazing voice to make something like this still work in 2016. 9/10
rushed through this a bit sry. interesting enough list that rarely wowed me. now give townes the obvious win so we can get on with it!